Chimurenga 15 – The Curriculum Is Everything (June 2010)

What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.


Dlala Indima 2010 to 2020 - Retrospective | Portrait of a Graffiti Project by Buntu Fihla and Dr Zingisa Nkosinkulu (Fihla Consulting (PTY) Ltd, 2023)

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Dlala Indima 2010 to 2020 - Retrospective | Portrait of a Graffiti Project by Buntu Fihla and Dr Zingisa Nkosinkulu (Fihla Consulting (PTY) Ltd, 2023)

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“Dlala Indima 2010 to 2020 Retrospective: Portrait of a Graffiti Project” is a new book project by Buntu Fihla and Dr Zingisa Nkosinkulu that offers a unique perspective on graffiti as a tool for social change. The book is written in the form of a conversation interview, providing readers with a first-hand account of the Dlala Indima graffiti project and its impact on marginalised communities in the Eastern Cape Province.

Graffiti is often seen as a form of vandalism, but “Dlala Indima” aims to challenge this perception by highlighting the positive impact that graffiti can have on society. As an art form that originates from the street, graffiti has historically been used as a means of expression for marginalized communities. The book examines how graffiti can be used to challenge the oppressive state of the system and enable the marginalised to speak, resist and depict their lived experiences.Through a combination of storytelling, images, and narratives, the book on “Dlala Indima” offers a historical and philosophical reflection on the meaning and significance of the Dlala Indima projects.
The book highlights how hip-hop culture, which encompasses the five elements of emceeing, deejaying, b-boying, graffiti, and beatboxing, can provide a platform for knowledge production, new cultural development, and storytelling.“Dlala Indima’’ offers readers a unique perspective on the project, the history of graffiti in the Eastern Cape and its impact on marginalized communities.
Buntu Fihla and Dr Zingisa Nkosinkulu provide firsthand accounts of their experiences working on the Dlala Indima project and highlight the importance of sub-cultures in preserving indigenous knowledge and challenging the colonial system. “Dlala Indima 2010 to 2020 Retrospective: Portrait of a Graffiti Project” is a must-read for anyone interested in graffiti, hip hop culture, and social change.
The book is available for order from the author via email at: buntu.f@gmail.com Also available from eDikeni Gqeberha on 184 Main Rd, Walmer and 43 Bird Str, Central, Gqebera.
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