“…The struggle of black people inevitably appear in an intensely cultural form because the social formation in which their distinct political traditions are now manifest has constructed the arena of politics on ground overshadowed by centuries of metropolitan capitalist development, thereby denying them recognition as legitimate politics. Blacks conduct a class struggle in and through race. The BC of race and class cannot be empirically separated, the class character of black struggles is not a result of the fact that blacks are predominantly proletarian, thought this is true…”- (Frank Talk Staff Writers in ‘Azania Salutes Tosh’ – circa 1981)
front cover:
Tosh by Steve Gordon
back cover:
Kippie by Basil Breakey
‘Rutang bana ditaola, le se ye natšo badimong’
Gather around these ditaola and feel into what we, proud custodians of hearth, have inherited, what we choose to steward and intentionally wield in these uncertain times. Sensuous Heirlooms dances with other lineages of knowledge, aesthetics, being, and doing unrecorded by official archives. It breaks out of the enclosures of traditional notions of inheritances by singing innate, intimate, intuitive, relational, sensuous, spiritual, and queer heirlooms underwritten by matrilineal stewardship and communal well-being.
Uhuru Portia Phalafala (Ed.), Kabelo Malatsie, Maneo Mohale, Toni Giselle Stuart, Wanelisa Xaba, Deirdre Prins-Solani, Mathapelo Mofokeng, Unifier Dyer (Ndaukhadzi), Milisuthando Bongela, Koleka Putuma, Mehita Iqani, Sibonelo Hlanganani Gumede, Pralini Naidoo, Sethembile Msezane, Julie Nxadi, Sharlene Khan, Bronwyn Katz, Makhosazana Xaba, Rhoda Isaacs.