Chimurenga 1 – Music is the Weapon (April 2002)

“…The struggle of black people inevitably appear in an intensely cultural form because the social formation in which their distinct political traditions are now manifest has constructed the arena of politics on ground overshadowed by centuries of metropolitan capitalist development, thereby denying them recognition as legitimate politics. Blacks conduct a class struggle in and through race. The BC of race and class cannot be empirically separated, the class character of black struggles is not a result of the fact that blacks are predominantly proletarian, thought this is true…”- (Frank Talk Staff Writers in ‘Azania Salutes Tosh’ – circa 1981)

front cover:

Tosh by Steve Gordon

back cover:

Kippie by Basil Breakey


Sense of Space by Masixole Ncevu (adocs Verlag, 2025)

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Sense of Space by Masixole Ncevu (adocs Verlag, 2025)

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We go inside first, decide what kind of world

we want to experience and then project that world outside

making it the truth as we experience it.

This book attempts to explore how people locate themselves vis-a-vis others, objects and things within a time-space continuum. Furthermore, it contextually sheds light on the correlation between space embedded meanings and the sense of place. In this book, the preposition of place takes a closer examination of the relations between objects and things through the lens of meaning reconfiguring moves and interactions in time and space. The relations between entities/objects/things offers bi-directional insights into orientations as is impacted by emotional, perceptional and preferential state of worlding among other attributes that direct people‘s positioning within contexts. The project Prepositions of Place that emerges as key within this book follows and attends to questions of how people, structures and landscapes spatially affect one another? What relations and meaning emerge and sub­merge within space–be it natural or artificial? In the process, visual signs, the (re)emergence of infrastructures and contextual speech reshape the building blocks for place making.
Through artistic works and lens, the project metaphorically and figuratively express how personal senses from sight, touch and hearing collapse and combine to orient individuals in space and time. The relation of individuals through the space-time continuum also offers external stimuli to contrive and build an immersive spatial experience.

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