“…The struggle of black people inevitably appear in an intensely cultural form because the social formation in which their distinct political traditions are now manifest has constructed the arena of politics on ground overshadowed by centuries of metropolitan capitalist development, thereby denying them recognition as legitimate politics. Blacks conduct a class struggle in and through race. The BC of race and class cannot be empirically separated, the class character of black struggles is not a result of the fact that blacks are predominantly proletarian, thought this is true…”- (Frank Talk Staff Writers in ‘Azania Salutes Tosh’ – circa 1981)
front cover:
Tosh by Steve Gordon
back cover:
Kippie by Basil Breakey
Jah Hills is alone in the Kwafindoda bush, waiting for the elders to come, burn ibhuma and deliver him home when he is tricked, captured and turned into isithunzela. A creature trapped in a wardrobe by day and only freed at night, to move between the realm of the living and the dead. One night, he narrowly escapes and finds his way back. But home is no longer home.
Set between Kwafindoda, where the nature is alive and ghosts exist even before someone is dead, and South Africa's gritty urban townships, Jah Hills explores the conflict between life and death, folklore and philosophy, the extraordinary and everyday so as to write the Unlanguaged World of today.
A breathless journey, at once fevered, visionary and breathtakingly alive, it invites the reader to find wilderness and brutality in the banal, the beautiful in the bizarre and to seek answers, not in the sum, but in the derangement of its many seething parts.