“…The struggle of black people inevitably appear in an intensely cultural form because the social formation in which their distinct political traditions are now manifest has constructed the arena of politics on ground overshadowed by centuries of metropolitan capitalist development, thereby denying them recognition as legitimate politics. Blacks conduct a class struggle in and through race. The BC of race and class cannot be empirically separated, the class character of black struggles is not a result of the fact that blacks are predominantly proletarian, thought this is true…”- (Frank Talk Staff Writers in ‘Azania Salutes Tosh’ – circa 1981)

front cover:
Tosh by Steve Gordon
back cover:
Kippie by Basil Breakey
Gbegbetopia—Maison Gbegbe: An Art-Based Community and Spiritual Center eds. by Sename Koffi Agboudjinou, Mathilde ter Heijne and Messanh Amedegnato (Archive Books, 2024)
Gbegbetopia—Maison Gbegbe: An Art-Based Community and Spiritual Center eds. by Sename Koffi Agboudjinou, Mathilde ter Heijne and Messanh Amedegnato (Archive Books, 2024)
Maison Gbegbe is a cultural center in Togo that aims to bring together different cultures, traditions, religions, and knowledge systems, and to create a space for exchange, reconciliation, and critical thinking. The project is a collaborative effort involving members of the Union des Cultes Traditionnels du Togo (UCTT) in Agouegan, L’Africaine d’Architecture, art&dialogue e.V., and a pre-configuration committee. Maison Gbegbe uses artistic research as a collaborative process to address ecological and social crises and to shift paradigms in the way people engage with knowledge and knowledge transfer. The project proposes to sensitize international audiences to other knowledge systems beyond Western epistemology, and to provide opportunities for locals and others to reconnect with and rediscover traditional African cosmologies along the Togolese coast. Maison Gbegbe is intended to serve as a space for exchange and dialogue with the goal of preserving and transmitting traditional and spiritual knowledge. It hopes to provide a place for returned and restituted West African cultural and spiritual assets to be reintegrated into an appropriate context. This publication provides an overview of the process of and motivations behind its creation.
