Chimurenga 1 – Music is the Weapon (April 2002)

“…The struggle of black people inevitably appear in an intensely cultural form because the social formation in which their distinct political traditions are now manifest has constructed the arena of politics on ground overshadowed by centuries of metropolitan capitalist development, thereby denying them recognition as legitimate politics. Blacks conduct a class struggle in and through race. The BC of race and class cannot be empirically separated, the class character of black struggles is not a result of the fact that blacks are predominantly proletarian, thought this is true…”- (Frank Talk Staff Writers in ‘Azania Salutes Tosh’ – circa 1981)

front cover:

Tosh by Steve Gordon

back cover:

Kippie by Basil Breakey


Chimurenganyana: Becoming Kwame Ture by Amandla Thomas-Johnson (2020)

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Chimurenganyana: Becoming Kwame Ture by Amandla Thomas-Johnson (2020)
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Weight: 0.05 kg

Stokely Carmichael (Kwame Ture) was viewed by many during the civil rights struggles of the 1960s as the dashing and eloquent heir to Malcolm X. His call for Black Power and his fiery speeches led to his ascension as the foremost symbol of black militancy. But the threat posed to white America by the triumvirate of Martin Luther King Jr., Stokely Carmichael and Malcolm X would be suppressed as the decade declined to a close. Indeed, X and King would meet death at the escort of gunmen, in ‘65 and ‘68, respectively, and in ‘69, Carmichael would board a plane bound for Guinea, never to return on a permanent basis.

But Kwame Ture lived on for another 30 years and he was as politically active as he had been in the ‘60s. At the time of his death, Ture had become perhaps the foremost Pan-Africanist of his day.

Why do we know so little about the last 30 years of his life?

Featuring photographs from the Kwame Ture estate and Amandla Thomas-Johnson

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Size: 135mm x 205mm
Pages: 60pp (plus cover)
Printing: black and white
Language: English
ISBN: 978-1-990990-18-2

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