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Chimurenga 12/13 – Dr Satan’s Echo Chamber (Double-Issue March 2008)

A double-take on sci-fi and speculative writing from the African world

The Aesthetics Of Vulgarity

Chimurenga 14 – Everyone Has Their Indian (April 2009)

This issue features words and images on the Third World

Chimurenga 12/13 – Dr Satan’s Echo Chamber (Double-Issue March 2008)

A double-take on sci-fi and speculative writing from the African

Chimurenga 11 – Conversations with Poets Who Refuse to Speak (July 2007)

This issue is about silence, disappearing oneself as act. Though

Chimurenga 10 – Futbol, Politricks and Ostentatious Cripples (December 2006)

We scope the stadia, markets, ngandas and banlieues to spotlight

Chimurenga 9 – Conversations in Luanda, and Other Graphic Stories (June 2006)

For this one we trawled the globe for ink artists/wordists

Chimurenga 8 – We’re All Nigerian! (December 2005)

An exploration of a love-hate, admiration-envy, awe-disappointment relationship with “Nigerianess”;

Chimurenga 7 – Kaapstad! (and Jozi, the night Moses died) (July 2005)

A collection of musings – in words, images and sounds

Chimurenga 6 – Orphans of Fanon (October 2004)

A series of conversations, real and imagined, on the “pitfalls

Chimurenga 12/13 – Dr Satan’s Echo Chamber (Double-Issue March 2008)

A double-take on sci-fi and speculative writing from the African

Bajove Dokotela

Let the good Dr [Philip Tabane] inject you in three

The Picture

In those moments all that noise seems to come together

Preliminary Notes for a Mediterranean Manifesto

Connecting ancience and modern roots/routes Rasheed Araeen redraws the boundaries

The Forest and the Zoo

Johnny Dyani offers a method to the Skanga (black music

Melodious Thunk

Everyone in the neighbourhood knew him. Walking to the shops,

CHIMURENGA@20: AZANIA SALUTES TOSH

On the eve of the tenth anniversary of the death

CHIMURENGA@20: STICKFIGHTING DAYS

Everyone knows I’m a two-stick man. But, I’m not ready

In conversation with Omoseye Bolaji

In the Free State, the most important and pivotal figure
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