In this mix, we decompose, an-arrange and reproduce the sound-world of FESTAC ’77 to address the planetary scale of event, alongside the personal and artistic encounters it made possible.
Tag Archives | festac 77
Kwanele Sosibo speaks with Ntone Edjabe about the creation of, and thinking behind, the FESTAC ’77 publication.
In pirating the head of Queen Idia to use it as a logo for Festac 77 , proposes another dissonant route that challenges the very idea of the work of art as unique object.
Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77, the 2nd World Black and African Festival of Arts and Culture.
Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77,,, To many, too many, FESTAC sounded like cacophony – we reproduced its music on the page, decomposed and an-arranged.
After New York in October 2019, and in the spirit of the trans-continentalism (aka Black World) of the event, we return to Dakar to celebrate the release of Chimurenga’s new publication on FESTAC ’77 – in collaboration with RAW Material Company.
A Festac 77 Mixtape featuring Randy Weston, Mandla Langa, Carlos Moore, The Blue Notes, Keorapetse Kgositsile, Michael McMillan, Miriam Makeba, Gilberto Gil, Tabu Ley Rochereau, Ray Lema and of course, Fela Kuti (voiced by Kolade Arogundade).
From 23 – 25 October 2019, Chimurenga will install its Pan African Space Station (PASS) at The New School’s Arnold and Sheila Aronson Galleries, New York City.
448 pages, colour illustrations featuring extensive unseen photographic and archival materials, interviews and new commissions.
Perfect, perfect, you have solved the problem for me, we have deconstructed the idea of National Theatre. We have taken the national and thrown it in the dust bin.
The Nigerian superstar bandleader Fela Anikulapo-Kuti hosted a covert summit meeting in the summer of 1977.
Its location, vocation, and publication intended to speak to a politicised Third World imaginary.
From January 15 to February 12 1977, thousands of artists, writers, musicians, […]
From 11 -13 April, as part of an exhibition hosted by Monash […]
Was Festac 77 curated by Esu Elegba? Akin Adesokan’s faction explores art […]
Early in 1977, thousands of artists, writers, musicians, activists and scholars from […]
For our first UK presentation, Chimurenga will infiltrate The Showroom’s building in […]
“The gazelle for me symbolises beauty and grace,” Sissako told the Bloomington audience. Then, he added, “Beauty will save the world,”
The moment has stayed with every person who witnessed it. Archie Shepp improvising live on the street, surrounded by hundreds of onlookers in a trance induced by his otherworldly beats.