(In memory of Ernesto Alfabeto Nhamuave) by Ungulani Ba Ka Khosa I […]
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Contributors
Chimurenga People include: Ntone Edjabe (publisher & editor-in-chief); Stacy Hardy (books & […]
PANAFEST, hosted by Chimurenga
A web documentary, audio-video archive and online cartography, that chronicles continuities and breaks, samples and cuts that link four key moments of Pan-African encounter: Dakar ’66, Algiers ’69, Kinshasa ’74 and Lagos ’77.
On the Digital Application of Ancestral Work
African spirituality as practiced digitally was amplified by COVID-19.
POVERTY IS OLDER THAN OPULENCE
Diego Maradona is the man who exploded the shame of the entire world in June 1986, in an historic dribble during a match between Argentina and England.
“The Oppressor Remains What He Is”
Why does it seem that the genocide deniers have perked up? What […]
Your Own Hand Sold You: Voluntary servitude in the Francafrique
In the CFA franc, the French colonial mission in West Africa found a way to ensure a paternalist and pernicious stranglehold on the economies of a vast region of the continent.
A TRIBUTE TO DON CHERRY’S ORGANIC MUSIC SOCIETY (1967 – 1978)
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Creative Urban Momentum: Witnessing the Black Unity Trio
In anticipation of the release of Black Unity Trios’ legendary album, Al Fatihah, Hasan Abdur-Razzaq recalls witnessing their rehearsals in the late 1960s.
FESTAC 77 T-SHIRT – AVAILABLE NOW!
A limited edition of the iconic FESTAC 77 t-shirt now available.
Chimurenganyana: Becoming Kwame Ture by Amandla Thomas-Johnson (Oct 2020)
Stokely Carmichael (Kwame Ture) was viewed by many during the civil rights […]
BECOMING KWAME TURE – OUT NOW!
Stokely Carmichael (Kwame Ture) was viewed by many during the civil rights […]
The 12th Annual Abdullah Ibrahim Festival
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THE BARD OF BLOEMFONTEIN
Achal Prabhala goes to the heart of the Free State literary renaissance with the “deliberately mysterious and prodigiously talented” Omoseye Bolaji.
THIRD CLASS CITY
South Africa thinks that India owes it one for putting Gandhi through revolution school; India thinks South Africa owes it for sending him over to show the natives how it’s done.
Ibadan, Soutin and the Puzzle of Bower’s Tower
The jingle would survive the event, as the poetry of a battle-cry outlives a war, but that eventuality belonged in the future.
Where Terror Lies
The rhetoric of ‘radical’ and ‘fundamentalist’ Islam, of ‘global jihad’ and ‘terror’ is, ironically, historical and recoverable from the irrational.
Nigeria’s Superstar Men Of God
Who needs the God of the bible with his promises of trials and tribulations, crosses and paths of repentance? Yemisi Aribisala listens to the sermons, counts the money, watches the high-flying life of Nigeria’s mega-preachers and wonders.
Nigeria’s Superstar Men Of God
Who needs the God of the bible with his promises of trials and tribulations, crosses and paths of repentance? Yemisi Aribisala listens to the sermons, counts the money, watches the high-flying life of Nigeria’s mega-preachers and wonders.
The Invention of Zimbabwe (April 2018)
14 November 2017. News breaks of a coup d’état underway in Zimbabwe. Tanks, armoured vehicles and military personnel are seen patrolling the capital, Harare. The images send shock waves through social media, traditional broadcast news networks and diplomatic channels
We Make Our Own Food (April 2017)
In this issue, we put food back on the table: to restore the interdependence between the mouth that eats and the mouth that speaks, and to delve deeper into the subtle tactics of resistance and private practices that make food both a subversive art and a site of pleasure.
The Chronic (April 2016)
In the fall of 2015, universities across South Africa were engulfed by fires ignited by students’ discontent with the racial discrimination and colonialism that still defines the country’s institutes of higher education.
The Chronic (July 2014)
For the new issue of Chimurenga’s pan African gazette, the Chronic, the focus is on graphic stories; comic journalism. Blending illustrations, photography, written analysis, infographics, interviews, letters and more, visual narratives speak of everyday complexities in the Africa in which we live.
The Corpse Exhibition [and Other Graphic Stories] (August 2016)
This issue of Chimurenga’s pan-African quarterly gazette, the Chronic, explores ideas around mythscience, science fiction and graphic storytelling. Like previous editions of the Chronic,
Muzmin (July 2015)
In the minds of many, the Sahara exists as a boundary between the Maghreb and “Black Africa”. History and our lived experience tell a different story. The latest issue of Chimurenga’s pan African gazette, the Chronic,
New Cartographies (March 2015)
We understand the role of cartography as a tool of imperialism. However, in this edition of the Chronic, we ask: what if maps were made by Africans for their own use, to understand and make visible their own realities or imaginaries?
The Chronic (December 2013)
This edition of the Chronic, offers forays into interlaced subjects of power, resistance, protest, mobilisation, mobility and belonging. Marked by an urgency to unsettle divides between opportunism and opportunity, life and liberation, here and there, and then and now-now, the newspaper acts as a platform from which to engage the practices, dilemmas and possibilities of different world.
The Chronic (August 2013)
Writers in the broadsheet include Jon Soske, Paula Akugizibwe, Yves Mintoogue, Adewale Maja-Pearce, Parsalelo Kantai, Fred Moten & Stefano Harney, Cedric Vincent, Deji Toye, Derin Ajao, Tony Mochama, Nana Darkoa Sekyiamah,Agri Ismaïl, Lindokuhle Nkosi, Bongani Kona, Stacy Hardy, Emmanuel Induma, Ugochukwu-Smooth Nzewi, Lolade Ayewudi, Simon Kuper and many others.
The Chronic (April 2013)
A 48-page newspaper and 40-page stand-alone books review magazine featuring writing, art and photography inflected by the workings of innovation, creativity and resistance.
On Circulations and the African Imagination of a Borderless World (October 2018)
What is the African imagination of a borderless world? What are our ideas on territoriality, borders and movement? How to move beyond so-called progressive discourse on “freedom of movement”
African Cities Reader I: Pan-African Practices
In the launch issue Rustum Kozain muses over the cultural and alternative relations built, negotiations and dealings made as a resident of Cape Town (South Africa); Jean-Christophe Lanquetin’s SAPE Project is captured in a pictorial narrative;
African Cities Reader II: Mobilities & Fixtures
The second installment of the Reader is centered on the theme ‘Mobilities and Fixtures’. In this issue Sean O’Toole interviews architect David Adjaye about African cityscapes, snapshot photography and failed utopias;
African Cities Reader III: Land, Property & Value
The third installment of the Reader explores the unholy trinity of land, property and value – the life force of cities everywhere. In this issue António Andrade Tomás reveals the vice and violence that permeate the act of securing land and home in Luanda;
Chimurenga 16 – The Chimurenga Chronicle (October 2011)
A once-off edition of a speculative, future-forward newspaper that travels back in time to re-imagine the present.
Chimurenga 14 – Everyone Has Their Indian (April 2009)
This issue features words and images on the Third World project and links, real and imagined, between Africa and South Asia.
Chimurenga 15 – The Curriculum Is Everything (June 2010)
Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it.
Chimurenga 12/13 – Dr Satan’s Echo Chamber (Double-Issue March 2008)
A double-take on sci-fi and speculative writing from the African world, collectively titled “Dr. Satan’s Echo Chamber” after a dub mix by King Tubby.
Chimurenga 11 – Conversations with Poets Who Refuse to Speak (July 2007)
This issue is about silence, disappearing oneself as act. Though it’s often one of abdication, could it be defiance, resistance even?
Chimurenga 10 – Futbol, Politricks and Ostentatious Cripples (December 2006)
We scope the stadia, markets, ngandas and banlieues to spotlight narratives of love, hate and the wide and deep spectrum of emotions and affiliations that the game of football generates.
Chimurenga 9 – Conversations in Luanda, and Other Graphic Stories (June 2006)
For this one we trawled the globe for ink artists/wordists to give us their perspectives on love, life and the multiverse.
Chimurenga 8 – We’re All Nigerian! (December 2005)
An exploration of a love-hate, admiration-envy, awe-disappointment relationship with “Nigerianess”; Features the “last interview”
Chimurenga 7 – Kaapstad! (and Jozi, the night Moses died) (July 2005)
A collection of musings – in words, images and sounds – from beneath the processed skin of Cape Town, by Gabeba Baderoon, Sandile Dikeni, Julian Jonker,
Chimurenga 6 – Orphans of Fanon (October 2004)
A series of conversations, real and imagined, on the “pitfalls of national consciousness” by Mustapha Benfodil, Achille Mbembe, Charles Mudede,
Chimurenga 5 – Head/Body(&Tools)/Corpses (April 2004)
An issue inspired by the life and work of Bessie Head. Including previously unpublished works by Head, and featuring new writing and art by Jean Claude Fignole,
Chimurenga 4 – Black Gays & Mugabes (May 2003)
On desire and its discontents. Featuring a new adaptation of Yambo Ouologuem erotica, and new works by Kopano Ratele, Kalamu ya Salaam, Gael Reagon, Rotimi Fani-Kayode, Zackie Achmat,
Chimurenga 3 – Biko in Parliament (November 2002)
“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […]
Chimurenga 2 – Dis-Covering Home [run nigga run] (July 2002)
Home, lost and found. Takes by Mahmood Mamdani, Julian Jonker, Henk Rossouw, Binyavanga Wainaina, Gaston Zossou, Haile Gerima,
De l’art de vivre l’art
Goddy Leye nous a quittés. C’était le 19 février 2011, peu après minuit. A Karachi, au bord du désert, où jamais il ne pleut en cette saison, le ciel s’est ouvert. Averse. A l’aube, à l’heure du premier appel des muezzins, il pleuvait encore. J’écris là-bas ces mots pour l’ami, le mentor, le camarade Goddy. Douleur sourde, de celles qui ne passent pas. Qui ne peuvent et ne doivent pas passer.