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Blood Money – A Douala Chronicle

By Dominique Malaquais

Calabar Winch

Poets Are Hurting: Lesego Rampolokeng in Conversation with Mafika Gwala

Contributors

THINGS THAT GO IN AND OUT OF THE BODY

THE BLACK BOMB

PORTRAIT OF MYSELF AS MY FATHER

A BRIEF HISTORY OF CHIMURENGA AS A COMMUNAL LABORATORY

Down the footpath

Meeting Marti, Neruda and Langa in the streets…

Dagga

Rustum Kozain muses over the cultural and alternative relations built,

Fufu Pot: A Truth Hard to Swallow

Time to Bleed

The Making of Mannenberg

The Upper Room

Sexing Africa, Again

Dansons Donc le Zouglou

Lagos, Lagos

Mining the Biennale

It Can Only Go Up From Here

Dispossessed Vigils

City Building in Post-Conflict, Post-Socialist Luanda

The Scandal

Re-Membering the Name of God

Shooting From Point Blank Range

New Oil Old Lamps

Palestine Journey

Number 11

Birthing the American

Yemisi Aribisala explores, with mixed emotions, the enduring opportunism of

Onitsha Republic

The story of a South African firm

In Defense Of The Films We Have Made

Monica Maxwell and Samson Botsotso

Walking through walls

Platinum Dreams

The Quiet Encroachment of the Ordinary

Juba ‘I will make my life here’

The metronomes of ancient history, the legacy of war, the

In Search of Yambo

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Blood Money – A Douala Chronicle

Calabar Winch

Poets Are Hurting: Lesego Rampolokeng in Conversation with Mafika Gwala

Contributors

Situation is Critical

Mamane

Airport Theatre, African Villain

A PASSPORT BY ANY OTHER NAME

Imagined Waters

Guilt Trips

CHIMURENGA@20: AZANIA SALUTES TOSH

Anti-Teleology: Re-Mapping the Imag(in)ed City

Koltan Kills Kids

SEXING AFRICA, AGAIN – POP AS POLITICS: WATCH IT TONIGHT ON HBO

PAINT THE WHITE HOUSE BLACK – A CALL TO ARMS

THIRD TRANSITION

Between the Lines of an Unpatriotic Presidential Pre-Recorded Address

Ibadan, Soutin and the Puzzle of Bower’s Tower

Nigeria’s Superstar Men Of God

African Cities Reader I: Pan-African Practices

Monumental Failures

Remembering Biafra