Skin bleaching is often described as a manifestation of ‘colo-mentality’. However, argues Bibi Bakare-Yusuf, mimesis here is both an affirmation and a contestation of power.
Search results for "Bibi Bakare-Yusuf"
A new romance imprint from Cassava Republic Press is now public: Ankara Press. Press […]
There Was A Country, Chinua Achebe’s autobiographical account of the Nigerian Civil […]
Skin bleaching is often described as a manifestation of ‘colo-mentality’. However, argues […]
The writings, translations and ideas of our dearly departed friend, comrade and co-conspirator Dominique Malaquais (1964-2021), in Chimurenga
By Koffi Kwahulé (translated by Dominique Malaquais)
No longer do the natives of Abibiman ask the void: "Will it […]
Emeka Ugwu is a Data Analyst who lives in Lagos, Nigeria. He […]
By Rustum Kozain The triangle is geometry’s favourite form. Circles, rectangles, squares, […]
“The gazelle for me symbolises beauty and grace,” Sissako told the Bloomington audience. Then, he added, “Beauty will save the world,”
A – B – C – D – E – F – G […]
Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77, the 2nd World Black and African Festival of Arts and Culture. With a radically ambitious agenda underwritten by Nigeria’s newfound oil wealth, FESTAC ’77 would unfold as a complex, glorious and excessive culmination of a half-century of transatlantic and pan-Africanist cultural-political gatherings.