The Chronic (April 2016)
In the fall of 2015, universities across South Africa were engulfed by fires ignited by students’ discontent with the racial discrimination and colonialism that still defines the country’s institutes of higher education. The protests broadcast on televisions around the world were neither without precedent nor without parallel. The University in Africa, and indeed South Africa, has always been a site of turmoil, conflict and insurrection. But as history reveals, without a wider call for social change in society and a deeper engagement with questions of decolonisation, student protest movements stand to die an isolated death in the university.
The latest issue of Chimurenga’s pan-African gazette, the Chronic, explores the tensions between reform and revolution, and decolonisation and the neoliberal order in the academy, through the lens of history and via the alternate education paradigms based in indigenous knowledge systems, and also arising from South Africa’s radical anti-apartheid struggle.
Football is the focus of the books supplement, Chronic Books. Not so much the game itself as the language produced in, around and about it. How football is spoken, written and narratively performed – from the informal commentary of bar talk, blogs, social media and stadium banter to more formal inquiries in mainstream media.
This edition of the Chronic also features a photonovella titled “Jabu Comes to Joburg”, a classic South African tale re-imagined by Achal Prabhala.
This issue features contributions from Pedro Monaville, Frank B. Wilderson III , Bwesigye Bwa Mwesigire, Kwanele Sosibo, Joshua Craze , Ronald Suresh Roberts, Yemisi Aribisala , James Young, Lidudumalingani Mqombothi, Moses März, Rustum Kozain, Florence Madenga, Ed Pavlic, Jon Soske, Meghna Singh, Masande Ntshanga, Abdourahman Waberi, Nick Mulgrew, Lindokuhle Nkosi, Wendell Marsh, Nick Mwaluko and many more.
The Chronic (July 2015)
In the minds of many, the Sahara exists as a boundary between the Maghreb and “Black Africa”. History and our lived experience tell a different story. The latest issue of Chimurenga’s pan African gazette, the Chronic, bears testimony to this. Designed in collaboration with Studio Safar in Beirut, and published in its entirety in Arabic as Muzmin, this special edition of the Chronic argues that the Sahara has never been a boundary, real or imagined. Trade caravans, intellectuals, literatures, human resources and political ideas have long circulated from Timbuktu to Marrakesh, from Khartoum to Tunis and Cairo and beyond.
Marked by an urgency to unsettle the fictitious divide, this issue continues Chimurenga’s ongoing quest to present alternative political, economic, historical, geographical and cultural cartographies of the continent. To imagine Africa, and to speak of it, outside the maps drawn at the Berlin Conference (1884-85).
Contributing from Egypt, Helmi Sharawy remembers African liberation movements that had offices in Cairo during the time of President Gamal Abdul Nasser. Wendell Hassan Marsh follows the route from Françafrique to Afrabia, a geo-political conflation, so named by Ali Mazrui. Other contributors include Dominique Malaquais and Cédric Vincent; Andrew Apter, Sophia Azeb, Ziad Bentahar, Marcia Lynx Qualey, Akin Adesokan, Shamil Jeppie, Saarah Jappie, Jamal Mahjoub, Rayanne Tabet, Nisreen Kaj, Rasheed Araeen, Mongo Beti and more.
The Chronic (March 2015)
We understand the role of cartography as a tool of imperialism. However, in this edition of the Chronic, we ask: what if maps were made by Africans for their own use, to understand and make visible their own realities or imaginaries? How does it shift the perception we have of ourselves and how we make life on this continent? We don’t have an easy answer, nor will we find one alone. Together with Kwani? we’ve invited writers and artists to produce this new language, in words and images.
This edition is produced in Cape Town, Nairobi, Johannesburg, Lagos, Luanda, Abidjan, Barbados, Mombasa, Katanga, Kampala, Kinshasa, Dar es Salaam, Malabo, Tripoli, and Slemani and distributed globally. Contributors include Achille Mbembe, Philippe Rekacewicz, Billy Kahora, Chris Abani, Yvonne Owuor, Yemisi Ogbe, Agri Ismail, Sinzo Aanza,Antonio Andrade Tomas, Stacy Hardy, Kiluanji Kia Henda, Francis Burger, Nolan Dennis, Wendell Hassan Marsh,Stefano Harney and Tonika Sealy and others.
The Chronic (July 2014)
For the new issue of Chimurenga’s pan African gazette, the Chronic, the focus is on graphic stories; comic journalism. Blending illustrations, photography, written analysis, infographics, interviews, letters and more, visual narratives speak of everyday complexities in the Africa in which we live.
Binyavanga Wainaina and Youssou N’Dour open the edition, contributors also include Native Maqari, Biyi Bandele, Ramón Esono (AKA Jamón y Queso), Dudumalingani Mqombothi and Buntu Fihla, Fungai Machirori, Victor Gama, Willem Boshoff, Lesego Rampolokeng, Mafika Gwala, Nawel Louerrad, Canan Marasligil, Mogorosi Motshumi, Tony McDermott, Akin Adesokan and others.
This edition also features a special 8-page insert: the lost issue of Hei Voetsek! A reawakening of Zebulon Dread‘s cult, handcrafted periodical featuring graphics by Cape Town’s art collective, Burning Museum.
The Chronic (December 2013)
This edition of the Chronic, offers forays into interlaced subjects of power, resistance, protest, mobilisation, mobility and belonging. Marked by an urgency to unsettle divides between opportunism and opportunity, life and liberation, here and there, and then and now-now, the newspaper acts as a platform from which to engage the practices, dilemmas and possibilities of different world.
Contributors include Kwanele Sosibo, Rustum Kozain, Boniface Mwangi, Paula Akugizibwe, Kangsen Wakai, Kodwo Eshun, Jihan El-Tahri, Mohannad Ghawanmeh, Youssef Rakha, Louis Chude-Sokei, Yemisi Ogbe, Florence Madenga, Ronald Suresh Roberts, Bongani Kona, Dudumalingani Mqombothi and Tseliso Monaheng.
As always, the Chronic includes the 48 page Chronic Books magazine. This edition foregrounds the politics and practice of translating. Also Madhu H. Kaza interviews Ama Ata Aidoo; Nta Bassey takes on Taiye Selasi; Nick Mwaluko reads between the lines in three queer anthologies; and Akin Adesokan lays bare the “dangers of a single video” while the puzzling compulsion of African writers to both conform and disavow.
The Chronic (August 2013)
This print edition is a 48-page broadsheet, packaged together with the 72-page Chronic Books supplement.
Writers in the broadsheet include Jon Soske, Paula Akugizibwe, Yves Mintoogue, Adewale Maja-Pearce, Parsalelo Kantai, Fred Moten & Stefano Harney, Cedric Vincent, Deji Toye, Derin Ajao, Tony Mochama, Nana Darkoa Sekyiamah,Agri Ismaïl, Lindokuhle Nkosi, Bongani Kona, Stacy Hardy, Emmanuel Induma, Ugochukwu-Smooth Nzewi, Lolade Ayewudi, Simon Kuper and many others.
The Chronic Books supplement is a self help guide on reading and writing, with contributions by Dave Mckenzie, Akin Adekosan, Fiston Nasser Mwanza, Yemisi Ogbe, Vivek Nyarangan, Peter Enahoro, Tolu Ogunlesi, Elnathan John,Rustum Kozain, Olufemi Terry, Aryan Kaganof, Rustum Kozain, Harmony Holiday, Sean O’Toole, Gwen Ansell,Binyavanga Wainaina and more.
The Chronic (April 2013)
A 48-page newspaper and 40-page stand-alone books review magazine featuring writing, art and photography inflected by the workings of innovation, creativity and resistance.
Jean-Pierre Bekolo, Binyanvanga Wainaina, Dominique Malaquais, Mahmood Mamdani, Andile Mngxitama, Gwen Ansell, Patrice Nganang, Achal Prabhala, Rustum Kostain, Karen Press, Niq Mhlongo, Paula Akugizibwe, Tolu Ogunlesi, Sean Jacobs, Harmony Holiday, Howard French, Billy Kahora are a few of its many contributors from around the world.
Stories range from investigations into the business of moving corpses to the rhetoric of land theft and loss; from latent tensions between Africa’s most powerful nations to the soft power of the biggest satellite television provider; and from the unspoken history of Rushdie’s “word crimes” to the unwritten history of PAGAD. It also investigates crime writing in Nigeria, Kenya and India, takes score of the media’s muted response to the ‘artistry’ of the World’s No1 Test batsman, rocks to the new sound of Zambia’s Copper Belt and tells the story of one man’s mission to take down colonialisms monumental history.
Chimurenga Vol. 16: The Chimurenga Chronic (October ’11)
The Chimurenga Chronic, is the once-off edition of an imaginary newspaper which is issue 16 of Chimurenga. Set in the week 18-24 May 2008, the Chronic imagines the newspaper as producer of time – a time-machine.
An intervention into the newspaper as a vehicle of knowledge production and dissemination, it seeks to provide an alternative to mainstream representations of history, on the one hand filling the gap in the historical coverage of this event, whilst at the same time reopening it. The objective is not to revisit the past to bring about closure, but rather to provoke and challenge our perceptions.
Both a bold art project and a hugely ambitious publishing venture, The Chronic gives voice to all aspects of life on the continent. The 128-page multi-section broadsheet features news, analysis and long-form journalism by award-winning writers and journalists. Its content rages from in-depth investigations into xenophobia, border politics, the business of migration and ethnic economics, to innovative coverage of sports, arts, mental health, media, technology and more. The stand-alone 40 page Chronic Life Magazine features photography, essays, guides, games, columns and more, and the Chronic Book Review Magazine is a self-contained 96 page magazine packed with interviews, analysis and over 30 pages of book reviews, as well as new fiction and poetry.
The Chronic also comes packaged with a free audio CD supplement in the form of a “mixtape,” titled Dipalo and composed, arranged and performed by Neo Muyanga.