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WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a country that “obstinately clings to its francophone ‘roots’”, on a continent where success as an African writer depends, in part, on the use of a colonial lexicon – stories spun in the tongue of the French, the English, the Portuguese – the idea of a black African transitional literature sits uncomfortably with those […]

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Theatre du pouvoir AT the louvre – a letter from Paris

Kibafika Kakudji On 29 January 2018, the day after I turned 40, I went to the Louvre with the hopes of seeing an exhibition called “Théâtre du Pouvoir”. I’ve been visiting the world’s largest art museum, and a historic monument in Paris, for the past 20 years. Since I acquired my priority access card, almost […]

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SUNGURA STORIES

Ranga Mberi travels back in musical time to the 1980s and 1990s, the era of sungura music. Dubbed the “authentic sound of Zimbabwe”, sungura weaved together Congolese rumba with Zimbabwean jiti and Tanzanian kanindo. Rooted deeply in the struggles, heartbreak and suffering of the times, but also in joy and celebration of common people – […]

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PORTRAIT OF MYSELF AS MY FATHER

A CONVERSATION WITH NORA CHIPAUMIRE Born in Mutare, Zimbabwe, and based in New York, iconoclastic choreographer and experimental dance practitioner Nora Chipaumire uses her work to think through representations of the African black woman’s body – the signs that have made it legible to the world (signs, of course, are always saturated with politics) in art, aesthetics and performance. A disruptive energy courses through her […]

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NONE BUT OURSELVES

The history of reggae in Zimbabwe echoes far beyond Bob Marley’s historic concert in the earliest days of the country’s independence. Percy Zvomuya crawls the web of influences that makes up not only the sonic cartography of a revolution fuelled by chimurenga music and reggae, but which are the very groundations of today’s Zimdancehall. Sometime […]

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