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RIP PAPA GEORGE

Exile demands contemplation because it is unavoidably real for those who experience […]

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They Won’t Go When I Go

A Manifesto/ Meditation on State of Black Archives in America and throughout the Diaspora by Harmony Holiday

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How Third World Students Liberated the West

In a twist to mainstream tropes of radical student movements of the 1960s, and their impact on the history of political thought and action, Pedro Monaville argues that the terrains of the Third World, and particularly the history of student movements in Congo, are vital to explore if we are to makes sense of how that period informs the present.

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Monumental Failures

Dominique Malaquais reports from Cameroon on the active objection of one ‘Combattant’ to the negation of many, cast in stone. Decrying these monumental symbols to the least salubrious of colonial exploits, his rebellion is most fitting in a country that stands on ceremony other than its own.

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Reproducing Festac ’77: A secret among a family of millions

Kwanele Sosibo speaks with Ntone Edjabe about the creation of, and thinking behind, the FESTAC ’77 publication.

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Steal Back the Treasure

In pirating the head of Queen Idia to use it as a logo for Festac 77 , proposes another dissonant route that challenges the very idea of the work of art as unique object.

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LEPHEPHE PRINT GATHERINGS 5 – CAPE TOWN

Calling all printmakers and paper-peoples! In collaboration with our comrades at Keleketla! […]

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Senegal & Festac 77

After New York in October 2019, and in the spirit of the trans-continentalism (aka Black World) of the event, we return to Dakar to celebrate the release of Chimurenga’s new publication on FESTAC ’77 – in collaboration with RAW Material Company.

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IN THE BOOKSHOP: KINSHASA CHRONIQUES / KINSHASA CHRONICLES

Kinshasa Chronicles is a richly textured encounter featuring seventy artists, most of whom belong to a very young generation, telling tales of one of the world’s most vibrant creative hubs.

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The Trajectory of a Street Photographer

My quest for an explanation for this omission in my history education made me appreciate the magnitude of the crime… for the struggle against power is the struggle of memory against forgetting. – Santu Mofokeng

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TRACKS

Kids are becoming priests, because if you are touched or you can see or whatever, these kind of churches, charismatic, big churches, people turn towards looking at ancestors, they turn to the Bible, they turn to look at whatever, because politics: basically were beaten.

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Labour Tenants South Western Transvaal

“There’s no real vocabulary for the non-photographed of apartheid‟ – Santu Mofokeng

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IN THE DEN OF THE ALCHEMIST

Which “they”? Which “one”? What “secrets” are you talking about? Oh! Come on! Cinema taught us long ago that there is always a secret in a laboratory and that evil-minded people are planning to get hold of it.

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Searching for Rotimi- A Letter From London

Rotimi Fani-Kayode died 29 years ago (21 December 1989), in exile, after […]

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“We should take out that word ‘national’ and reconstruct that word ‘theatre’….

Perfect, perfect, you have solved the problem for me, we have deconstructed the idea of National Theatre. We have taken the national and thrown it in the dust bin.

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Crossroads Republic

The Nigerian superstar bandleader Fela Anikulapo-Kuti hosted a covert summit meeting in the summer of 1977.

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New Cartographies

Since its launch in 2011, every edition of The Chronic has engaged with this question:  […]

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Panafest

From January 15 to February 12 1977, thousands of artists, writers, musicians, […]

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WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a testament to Cheikh Anta Diop, Boubacar Boris Diop raises radical views on creative writing, a challenge to what he laments as our literary Sahara.

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PASS is going to Australia!

From 11 -13 April, as part of an exhibition hosted by Monash […]

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