In pirating the head of Queen Idia to use it as a logo for Festac 77 , proposes another dissonant route that challenges the very idea of the work of art as unique object.
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Which “they”? Which “one”? What “secrets” are you talking about? Oh! Come on! Cinema taught us long ago that there is always a secret in a laboratory and that evil-minded people are planning to get hold of it.
Rotimi Fani-Kayode died 29 years ago (21 December 1989), in exile, after […]
Perfect, perfect, you have solved the problem for me, we have deconstructed the idea of National Theatre. We have taken the national and thrown it in the dust bin.
The Nigerian superstar bandleader Fela Anikulapo-Kuti hosted a covert summit meeting in the summer of 1977.
Since its launch in 2011, every edition of The Chronic has engaged with this question: […]
From January 15 to February 12 1977, thousands of artists, writers, musicians, […]
In a testament to Cheikh Anta Diop, Boubacar Boris Diop raises radical views on creative writing, a challenge to what he laments as our literary Sahara.
From 11 -13 April, as part of an exhibition hosted by Monash […]
PASS founder, a composer and musician Neo Muyanga highlights the currents and […]
From 11 -15 December 2016, the Pan African Space Station transmitted live […]
On 1 October 2009, Pan African Space Station hosted Udaba at The […]
In April 2018, PASS welcomed back Georgia Anne Muldrow and her […]
Was Festac 77 curated by Esu Elegba? Akin Adesokan’s faction explores art […]
Native Maqari and Keziah Jones Villa Medici channel Fela take on on […]
Kodwo Eshun discusses selected paragraphs of music criticism, taking in Kim Gordon’s […]
From 9 – 12 November, the Pan African Space Station (PASS) landed […]
“Dislocation” is how Congolese rumba historians describe the incessant splinterings that are […]
Fred Moten and Saidiya Hartman sit down to talk about the temporal […]
A Manifesto/ Mediation on State of Black Archives in America and throughout […]